Mole People (Julian Arguelles) from Skull View (Babel)
Machine Gun (Finn Peters) from Su Ling (Babel)
Final Movement, Brandenburg Concerto No. 2 (Bach) played by Concentus Music (Harnoncourt)
Blue Sphere (Thelonious Monk) from London Collection (Black Lion)
The Priest (Christine Tobin) from Aililiu (babel)
Soleils (Rene Aubry) from Invites sur la Terre (Wagram)
Discovering Metal (Django Bates) from Summer Fruits and Unrest (Winter and Winter)
Golden Slumbers (Orquestra Mahatma) from Young Person's Guide (Babel)
Big Juice (Noble/Marshall/Buckley) from Bud Moon (Ping Pong)
Asturiana (de Falla arr Berio) from Fiesta! (BBC)
All I Really Want To Do (Bob Dylan) from Another Side of Bob Dylan (CBS)
Shower (Led Bib) from Sizewell Tea (Babel)
Love Takes Time (Selen Gulun) from Answers (Pozitif)
Contact me at firstname.lastname@example.org about availability of the CDs.
The themes this week were how apparent simplicity creates universality, based on a discussion I had with Joachim Badenhorst at Vortex, since he was playing Bach. Django's piece shows, by contrast, how total complexity can be satisfying.
Also a few iconic Babel release solos - Huw Warren on The Priest, Django Bates on Mole People.
And, above, another sign of this simplicity leading to beauty.
Big Air (with Steve Buckley and Oren Marshall) play Cheltenham on 1 May and Vortex on 2 May.
And a couple of tracks from the Han Bennink season at the Vortex, playing with Steve Noble and Terry
there's a review here. http://londonjazz.blogspot.com/2011/04/review-han-bennink.html#comment-form